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Opera

Presto, presto, pria ch’ei venga. Don Giovanni

FranckM.

4:45	Est. Play Time
172	Measures
	1,586Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	33	76	12	11	100%
	24	47	5	9	99%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	33	76	12	11	100%
	24	47	5	9	99%
M.	23	10	3	7	49%
G.	11	0	2	7	46%
Z.	13	0	4	6	45%

William Tell Overture

mike320

15:40	Est. Play Time
453	Measures
	9,161Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	29	0	14	8	83%
Violins II	34	13	19	7	80%
View all 22 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	29	0	14	8	83%
Violins II	34	13	19	7	80%
2 Bassoons	30	40	12	7	79%
Contrabasses	27	0	13	8	78%
Violas	27	58	14	5	78%
2 A Clarinets	30	61	15	6	72%
Violins I	40	10	22	9	71%
2 Horns in E	17	22	5	7	66%
Timpani	2	0	0	6	60%
Flute	29	0	14	10	59%
2 Horns in G	12	12	4	7	56%
2 Oboes	30	52	15	6	53%
E Trumpet	10	8	0	7	50%
Piccolo	27	0	13	8	49%
Bass Trombone	23	0	10	6	48%
2 Trombones	23	1	9	6	40%
English Horn	16	0	4	6	9%
Violoncello Soli	11	0	6	6	8%
	12	0	5	6	8%
	15	0	5	6	8%
	31	0	14	9	9%
	9	0	3	8	8%

The Barber of Seville Overture

mike320

7:30	Est. Play Time
265	Measures
	5,916Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	26	35	12	9	97%
Violoncellos	23	0	10	9	93%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	26	35	12	9	97%
Violoncellos	23	0	10	9	93%
Violins II	33	45	14	11	93%
Contrabasses	33	0	11	9	91%
Violins I	34	25	15	13	88%
Flutes	25	0	7	11	66%
Bassoons	23	19	9	9	60%
Oboes	24	40	10	9	56%
Flute	21	0	9	10	50%
Horn in E	13	7	3	9	45%
C Clarinet	24	30	8	10	41%
Timpani	5	0	1	5	35%
A Trumpet	7	6	0	6	35%
Trombone	17	0	4	5	25%
A Clarinet	19	24	5	10	25%
Horn in G	14	4	2	5	16%

The Marriage of Figaro Overture

mike320

5:52	Est. Play Time
294	Measures
	3,633Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins II	29	18	11	5	96%
Violins I	29	23	10	9	95%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins II	29	18	11	5	96%
Violins I	29	23	10	9	95%
Violas	25	6	10	4	93%
Violoncellos	22	0	10	5	84%
Contrabasses	23	0	10	5	82%
Bassoons	24	17	9	5	81%
Oboes	22	33	7	6	77%
Flutes	18	30	3	6	71%
Horn in D	9	12	0	6	66%
A Clarinet	17	26	3	6	58%
D Trumpet	8	9	0	5	51%
Timpani	2	0	0	5	42%

E pur'io torno

HoltWasHere

3:52	Est. Play Time
183	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	31	69	9	8	100%
	22	9	3	6	100%
Voice	15	0	3	8	77%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	31	69	9	8	100%
	22	9	3	6	100%
Voice	15	0	3	8	77%

Richard Wagner - ENDE.zu.GOTTERDAMMERUNG in Full score. {Unfinished.}

Jamie Holdham

6:13	Est. Play Time
185	Measures
	8,121Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bratschen.	34	23	30	13	96%
Violas	34	22	30	13	92%
View all 40 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bratschen.	34	23	30	13	96%
Violas	34	22	30	13	92%
Violoncelle.	38	0	31	14	89%
Violoncellos	38	0	31	13	89%
Violins	35	29	29	13	89%
Violinen.	42	6	34	13	78%
Horn in F	25	20	23	12	71%
Horner.	23	21	19	12	69%
Oboe	22	1	19	12	59%
	26	4	16	12	68%
Hoboen.	24	0	16	12	67%
Clarinetten. (B)	30	1	20	12	56%
Contrabasse.	27	0	18	9	55%
B♭ Clarinet	31	0	24	12	51%
	26	22	17	12	53%
Bassoon	22	1	16	9	50%
	28	0	18	13	47%
Fagotte.	22	0	15	10	50%
4 Posaunen.	22	6	12	10	47%
Tenor Trombone	22	14	12	11	44%
Flute	12	0	8	10	27%
	22	4	15	12	42%
Trompetten.	18	0	14	10	37%
Floten.	17	4	12	11	37%
Englishes Horn.	17	0	11	11	36%
C Trumpet	21	0	14	9	31%
	15	0	11	10	20%
Pauken.	10	0	5	5	30%
Bass Trompetten.	12	0	9	7	26%
6 Harfen.	28	9	14	7	23%
	25	13	13	6	24%
Trombone	19	1	10	11	23%
Harp	26	12	12	6	21%
	26	13	13	6	22%
Contrabass Tuben.	19	0	10	6	20%
4 Tuben.	12	1	8	6	19%
Timpani	7	0	4	6	19%
Kleinen Floten.	20	0	11	8	18%
Tuba	22	4	9	6	16%
Bass Clarinetten.	24	0	13	8	14%

N° 13 - "Presto presto pria chei venga" . Don Giovanni - Orchestral

FranckM.

4:45	Est. Play Time
173	Measures
	3,392Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	22	5	7	11	94%
	9	0	1	3	5%
View all 23 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	22	5	7	11	94%
	9	0	1	3	5%
Violono I	13	0	1	4	5%
	25	10	9	12	94%
Violoncello Contrebasso	18	1	5	9	93%
	17	0	4	9	93%
Violino II	28	13	9	13	93%
2 Fagotti	21	28	8	8	81%
2 Gorni in C	10	12	0	5	79%
2 Oboi	10	6	1	3	5%
	18	27	7	9	74%
2 Flauti	16	27	5	11	69%
Don Giovanni	11	0	3	7	46%
Zerlina	13	0	5	6	45%
Masetto	14	0	4	7	36%
2 Trombe in C	7	4	0	4	30%
2 Clarinetti in C	11	11	0	7	28%
Timpani in C e G	2	0	0	5	16%
Coro Basso	7	0	0	3	13%
Tenore	8	0	0	3	13%
Violoncello e Contrabasso	8	0	1	3	5%
Violono II	12	0	1	4	5%
2 Corni ln F	5	3	0	3	5%

I Lombardi, Preludio ed Introduzione (coro: Oh nobile esempio!)

Voorburgs Operakoor

4:47	Est. Play Time
281	Measures
	2,441Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	39	99	14	8	98%
	36	77	14	8	97%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	39	99	14	8	98%
	36	77	14	8	97%
T	18	17	6	7	67%
B	18	8	6	7	63%
S	10	8	3	5	24%
A	15	8	5	5	20%

Aida, Atto II: Gran finale secondo (coro: Gloria all’Egitto / Triomfmars)

Voorburgs Operakoor

8:49	Est. Play Time
267	Measures
	4,091Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	42	112	20	10	97%
	42	102	19	9	98%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	42	112	20	10	97%
	42	102	19	9	98%
S	22	0	8	10	36%
T	12	0	3	8	12%
	21	8	7	10	31%
B	16	0	6	8	13%
	17	3	6	10	30%
A	19	0	6	10	30%
T 2	17	0	7	9	14%
B 2	18	0	7	8	13%
T 1	18	0	6	8	11%
B 1	16	0	7	9	11%
A 1	9	0	2	7	6%
A 2	9	0	1	7	6%

ROSSINI - Barber Of Seville - Ouverture Symphony for Percussions

Kevfun3

7:19	Est. Play Time
241	Measures
	7,025Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Piano I	17	8	8	6	11%
	34	0	12	10	87%
View all 21 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Piano I	17	8	8	6	11%
	34	0	12	10	87%
Piano, PIANO II	30	0	10	8	93%
	16	4	6	6	46%
Piano, Piano III	26	23	9	9	97%
Piano, Piano IV	21	0	6	6	93%
Piano, Piano V	21	0	6	6	90%
Glockenspiel Alto Orff, Glockenspiel	23	0	9	7	67%
Célesta, Celesta III	25	49	9	9	66%
Marimba (double portée), Marimba	28	0	9	2	64%
	11	1	3	1	11%
Clavecin, Harpischord I	19	11	5	7	62%
Harpe, Harp	26	7	9	6	60%
Célesta, Celesta II	24	43	9	8	55%
Célesta, Celesta I	21	0	8	9	52%
Carillons, Tubular Bells	19	1	6	2	44%
Xylophone, Xylophone	13	7	3	1	11%
	30	0	9	3	43%
Clavecin, Harpischord II	8	7	3	6	34%
Orgue, Organ I	17	0	5	4	27%
Orgue, Organ II	15	1	4	5	27%

LA BELLE HÉLÈNE d’Offenbach : Chœurs - Partie 10/11 N°21 Chœur et couplets de Pâris. BASSE 1

Papibois

3:37	Est. Play Time
153	Measures
	1,768Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part	31	28	10	9	100%
	24	57	11	9	99%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part	31	28	10	9	100%
	24	57	11	9	99%
Soli ténor	16	13	6	9	47%
Basse 1	14	0	2	8	46%
Basse 2	13	0	1	8	46%
Soprano 1	13	0	2	8	46%
Soprano 2	11	0	2	8	46%
Ténor 1	12	1	1	8	46%
Ténor 2	12	1	2	8	46%
Soli basse	6	2	1	6	23%
Soli soprano	12	7	2	7	23%